Adrienne specializes in a diverse range of digital art, including Experimental Animations, Video Installations, and Performance pieces. In addition to her digital creations, she also makes analog collages, portraits of beauty products, and installations and etc.

While she is currently more focused on digital art, her goal is to continue creating a wide variety of work around feminine themes, encompassing both analog and digital mediums. As she plans to after finishing her undergraduate BFA degree to hopefully, pursuing graduate studies at the masters level of college to work as a professional artist afterwards and to further her portfolio, work experience and opportunities.

The Kissable Portrait, June 29th, 2024, 22 x 30 inches

A paper drawing of a regular self-portrait was then transformed into a series of kisses on paper to conceal the true self. The aim of this project was to use the artists body as both the subject and the medium.

The Marilyn, June 30th, 2023, 11 x 14 inches

An analog collage of Marilyn Monroe aims to stimulate beauty and the beast narrative between how women like Marilyn Monroe were treated in her time compared to now.

The face of Vous?, September 13th, 2023, 22 x 30 inches cut down

A representation of a project evaluating material, demonstrating a minimalist style, and exploring how individuals with inflated egos may be perceived by others.

Why me?, October 2nd, 2023, 18 x 24 inches

An analog drawing depicts a collection of gathered objects, created using vine and compressed charcoal. The purpose of this piece was to use everyday objects creatively to produce compelling imagery. The artwork conveys the idea of being captivated by the beauty of these objects while also appearing fragmented and somewhat chaotic.

LIFE P O P, October 4th, 2023, various sizes

A multi level collage and a diorama representing the complexities of womanhood and consumption. The materials used include Adrienne’s personal drawings with pastel and ink, paper towels cut to resemble diamonds, magazines, stickers, nail polishes, lipsticks, tape, magazine perfume samples and other 3D objects. The purpose of this piece was to explore innovation through the use of various substrates, layers and materials.

Don’t Touch Me, October 22nd, 2023 22 x 30 inches

A painting created from Adrienne’s own handprints to depict her self-portrait. The piece exudes a dream-like vibe with its use of purple hue, which are often associated with dreams. It also conveys a sense of wanting to be touched or seen.

P I G G Y paint your numbers, November 13th, 2023

Adrienne had a project where she is using her own pair of jeans as a canvas. As she is writing on them with lipstick, adding bath bomb hearts and lips, and attaching trash wrappers and product stickers onto the pair of jeans. The jeans have been installed through a fridge to showcase the negative connotations of self-image and beauty standards related to weight.

EAT, November 7th, 2023, 8.5 x 11 inches

A cover for a 10 paged risographed booklet as a narrative piece. Within this storyline, it shows the issues of self-image, eating disorders, weight scales, injections, foods/drinks, heart monitors, and tears. This piece was displayed on the first floor from November 9th-15th, 2023 as part of a hallway exhibition at the JCM art building at Texas State University.

How DO y o u see yourself?, December 4th, 2023, various hand held mirror sizes

An interactive installation piece where participants had to only use lipsticks to write about themselves and what they had wanted to see. Most people wrote on paper that covered the mirrors. Sometimes, the way one views themselves can distort their reflection, just as the paper distorted their handheld mirrors imagery.

What’s your Intentions, Infestations?, February 14th, 2024, 9 x 12 inches

A analog piece involves hot-gluing actual flowers together to create a mold of a side profile portrait. A cut-out from a particular fashion magazine’s title is then glued to the bottom of the flowered portrait. This piece symbolizes how women are expected to embody beauty and bloom beautifully, but with certain pressures they can wilt and decay.

RISO Head, April 28th, 2024, 8.5 x 11 inches cut to various sizes

A digital collage printed in multiple ways with only using red and blue as the main colors. The collages are reconstructed into a risograph print of a side profile portrait. This is part of an installation and expanded media project that represents how certain sets of televised imagery can create a particular standard for women.

The Side of Me, September 11th, 2024, 4 x 3 inches

Adrienne had created two separate vinyl stickers, one in pink and the other in black, to produce a side portrait profile as part of a digital fabrication course. This technical project aims to enhance Adrienne’s proficiency in using Rhino 3D software and a die cutter to print the digital pieces. From an artistic perspective, the color pink symbolizes vibrancy, girliness, innocence, and light-heartedness, while black is associated with dominance, power, elegance, gear, and wrong-doing. This project, in the context of Adrienne’s body of work aims to shed light on the potential for women to have their inner spark dimmed and marginalized.

Destination Unknown, October 2nd, Life Size, 2024

This project was made in Adrienne’s Digital Fabrication class where students had to create and design a life-size self-portrait silhouette that “should provide an immersive experience for the viewer” as students had to “consider previous vacations when you traveled by plane.” As a way to “reflect on the hours and moments in the terminal or at the gate leading up to your departure.” Which will then be cut out of removable vinyl and would be installed in the HxWxD gallery from the Joann Cole Mitte (JCM) Building displayed from October 7th till the 20th. In terms of the relation for Adriennes theme of work it showcases the feeling of always being on the go and wanting to be on the call for a getaway as in an escape.